Upcoming Concerts

Solo Appearance @ Jazz at Lincoln Center: Melinda Wagner's "Re-Uptake" for Solo Piano (Invitation-Only Event)

Wednesday 12, December 2018 ( 6 00 pm )

ASCAP Foundation Awards Ceremony
The Appel Room
Jazz at Lincoln Center

Honoring Melinda Wagner, Recipient of the 2018 ASCAP Foundation Honors Award

Melinda Wagner: from "Noggin", for solo piano
IV. Re-Uptake

"The Earth Under Attack", with Boston Musica Viva

Saturday 02, February 2019 ( 8 00 pm )

Boston Musica Viva
Tsai Performance Center

Boston University

Sebastian Currier: Eleven Moons world premiere
     Commissioned by Chamber Music America
     Zorana Sadiq, soprano

Deborah and Richard Cornell: Wind Driven
Michael Gandolfi: Budget Cuts
Brian Robison: Bonfire of Civil Liberties
     Steve Aveson, narrator

A world premiere bagatelle by Ellen Taaffe Zwilich.

Don’t miss this special night featuring the world premiere of a new work by Sebastian Currier, commissioned by Chamber Music America for our 50th Anniversary, and featuring sopranoZorana Sadiq. The program also includes Deborah and Richard Cornell’s Wind Driven,Michael Gandolfi’s Budget Cuts, and Brian Robison’s Bonfire of the Civil Liberties (all past BMV commissions), and a bagatelle by Ellen Taaffe Zwilich.

For more information, please go to http://www.bmv.org

"Then and Now: Celebrating Princeton University Concert's 125th Anniversary", with the Richardson Chamber Players

Sunday 10, February 2019 ( 3 00 pm )

Richardson Auditorium
Alexander Hall
Princeton University


Saint-Saêns: La Mort de Thaïs, Paraphrase de concert sur l'opéra de J. Massenet, for solo piano (1895)

R. Strauss: Lieder, Op. 29, for soprano and piano (1895)
~with Sarah Pelletier, soprano~

Anton Arensky: Piano Trio No. 1 in D Minor (1894)

~and other works~

“Then & Now: Celebrating PUC’s 125th Anniversary" features mixed chamber works by Camille Saint-Saëns, Johannes Brahms, Eric Nathan, Richard Strauss, and Anton Arensky written during PUC’s inaugural season (1894–1895) paired with works of today

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Press Reviews

"Mr. Burleson played with command, projecting a rhapsodic quality without loss of rhythmic vigor...and an appropriate sense of fetching color. Burleson played vibrantly...ending his program with a compelling account of Boulez's formidably complex Piano Sonata No. 3."
- Anthony Tommasini, The New York Times

"Burleson gave an irresistably supple reading of Liszt's "Les jeux d'eaux a la Villa d'Este", and in his performance of Debussy's "Pour le piano", the Sarabande was delightfully hazy, and the Toccata was an explosion of energy. He followed this with Saint-Saens's expansive "Caprice on Ballet Airs From Gluck's 'Alceste'" before closing the concert with three of his own virtuosic, lively, occasionally jazzy improvisations on a handful of Debussy themes."
-Allan Kozinn, The New York Times

"Both works (Charles Ives's 'Three-Page Sonata' and Vincent Persichetti's Sonata No. 12) are couched in complex rhythms, with attractively simple melodies sometimes swimming through them. And Mr. Burleson played them with the energy and passion of a jazz player at the densest moment of a solo. He brought a similar power, as well as an improvisatory imagination, to Frank Zappa's 'Bebop Tango.'"
- Allan Kozinn, The New York Times

"Burleson is a remarkable pianist, with tireless attack, unflagging rhythm and energy to burn."
- Richard Dyer, The Boston Globe

"A top-notch pianist...Burleson's piquancy and poetry blended beautifully."
- The Washington Post

more reviews

Featured Releases

Saint-Saëns, C.: Piano Works (Complete), Vol. 4: Dances And Souvenirs

Saint-Saëns, C.: Piano Works (Complete), Vol. 4:  Dances And Souvenirs - Naxos, Catalogue No: GP625, released on 02/2016

Naxos, Catalogue No: GP625, released on 02/2016

Order online "Saint-Saëns, C.: Piano Works (Complete), Vol. 4: Dances And Souvenirs"

Artists

Geoffrey Burleson, piano

About Saint-Saëns, C.: Piano Works (Complete), Vol. 4: Dances And Souvenirs

Although he is best remembered for his orchestral and instrumental music, Saint-Saëns was also responsible for spearheading the revival of the French Baroque, especially the music of Lully and Rameau, as well as being perfectly placed to absorb the latest instrumental dance music. His five ‘character waltzes’ include the ethereal and ravishingly textured Valse mignonne, the stylistically forward-looking Valse nonchalante and the virtuosic Valse gaie, the composer’s final waltz for solo piano, while the three minor key Mazurkas are strongly characterised and filled with ingenious musical contrasts. Last but not least, the three ‘souvenirs’ are delightful evocations of particular corners of the world that inspired Saint-Saëns.

"Burleson has immersed himself in the entirety of Saint-Saëns' output and is a powerful advocate for this music.  He plays with all the requisite technique and a style and flair that one would expect from music firmly entrenched in the romantic style.  His booklet notes are enlightening, and the piano sound is wonderful.  I am sure that I will also enjoy the future volumes in this series."

-James Harrington, American Record Guide

 

selected recordings