Upcoming Concerts

Recording Sessions: "Folding Music", Solo & Ensemble Works by Max Duykers, to be released by New World Records in April 2019-CLOSED SESSIONS

Thursday 18, October 2018 (10 00 am )

Oktaven Audio LLC
Mt. Vernon, NY
(CLOSED Sessions: Oct. 16-18)

Arboresence (2017) for solo piano
Scatterloop (2015) for violin & piano
The Way In (2015) for soprano, cello & piano
Dark Body (2015) for violin, flute, cello & piano
Folding Music (2017) for sextet
Twilight Adored and Breathless Moments (2007) for sextet

New World Records will be releasing "Folding Music" in April 2019 - a record of Ensemble Ipse co-director Max Giteck Duykers' music, featuring Ensemble Ipse with guest artists and Grammy Award-winning producer Judith Sherman, with support from the Alice M. Ditson Fund of Columbia University.

Concert with IMPetus at New Rochelle ArtsFest

Sunday 21, October 2018 ( 3 00 pm )

New Rochelle ArtsFest
College Of New Rochelle Chapel
29 Castle Place
New Rochelle, NY

A concert with my chamber punk trio IMPetus, sponsored by New Rochelle ArtsFest, featuring originals and fare by Ginastera, Ravel, Trent Reznor, Max Roach, Schubert, Patti Smith, Kurt Weill, Tom Waits and Frank Zappa. IMPetus is:

Maria Tegzes, vocals
Dave "Knife" Fabris, guitars
Geoffrey Burleson, piano

Piano Masterclass at the University of Utah

Saturday 03, November 2018 ( 4 00 pm )

Dumke Recital Hall
David Gardner Hall
The University of Utah
Salt Lake City, UT

more concerts

Press Reviews

"Mr. Burleson played with command, projecting a rhapsodic quality without loss of rhythmic vigor...and an appropriate sense of fetching color. Burleson played vibrantly...ending his program with a compelling account of Boulez's formidably complex Piano Sonata No. 3."
- Anthony Tommasini, The New York Times

"Burleson gave an irresistably supple reading of Liszt's "Les jeux d'eaux a la Villa d'Este", and in his performance of Debussy's "Pour le piano", the Sarabande was delightfully hazy, and the Toccata was an explosion of energy. He followed this with Saint-Saens's expansive "Caprice on Ballet Airs From Gluck's 'Alceste'" before closing the concert with three of his own virtuosic, lively, occasionally jazzy improvisations on a handful of Debussy themes."
-Allan Kozinn, The New York Times

"Both works (Charles Ives's 'Three-Page Sonata' and Vincent Persichetti's Sonata No. 12) are couched in complex rhythms, with attractively simple melodies sometimes swimming through them. And Mr. Burleson played them with the energy and passion of a jazz player at the densest moment of a solo. He brought a similar power, as well as an improvisatory imagination, to Frank Zappa's 'Bebop Tango.'"
- Allan Kozinn, The New York Times

"Burleson is a remarkable pianist, with tireless attack, unflagging rhythm and energy to burn."
- Richard Dyer, The Boston Globe

"A top-notch pianist...Burleson's piquancy and poetry blended beautifully."
- The Washington Post

more reviews

Featured Releases

Saint-Saëns, C.: Piano Works (Complete), Vol. 4: Dances And Souvenirs

Saint-Saëns, C.: Piano Works (Complete), Vol. 4:  Dances And Souvenirs - Naxos, Catalogue No: GP625, released on 02/2016

Naxos, Catalogue No: GP625, released on 02/2016

Order online "Saint-Saëns, C.: Piano Works (Complete), Vol. 4: Dances And Souvenirs"


Geoffrey Burleson, piano

About Saint-Saëns, C.: Piano Works (Complete), Vol. 4: Dances And Souvenirs

Although he is best remembered for his orchestral and instrumental music, Saint-Saëns was also responsible for spearheading the revival of the French Baroque, especially the music of Lully and Rameau, as well as being perfectly placed to absorb the latest instrumental dance music. His five ‘character waltzes’ include the ethereal and ravishingly textured Valse mignonne, the stylistically forward-looking Valse nonchalante and the virtuosic Valse gaie, the composer’s final waltz for solo piano, while the three minor key Mazurkas are strongly characterised and filled with ingenious musical contrasts. Last but not least, the three ‘souvenirs’ are delightful evocations of particular corners of the world that inspired Saint-Saëns.

"Burleson has immersed himself in the entirety of Saint-Saëns' output and is a powerful advocate for this music.  He plays with all the requisite technique and a style and flair that one would expect from music firmly entrenched in the romantic style.  His booklet notes are enlightening, and the piano sound is wonderful.  I am sure that I will also enjoy the future volumes in this series."

-James Harrington, American Record Guide


selected recordings