Upcoming Concerts

Concert with SWARMIUS

Friday 21, October 2016 ( 7 00 pm )

Featuring works of Jozefius (aka Joseph Martin Waters), with Jozefius on electronics, Saximus (aka Todd Rewoldt) on reeds, Noize Punkus (aka Gene Pritsker) on guitar, and Peripateticus (aka Geoffrey Burleson) on piano.  Composer/pianist/artist/provocateur Mark Kostabi will also be a featured soloist on this program.

In this show, we will proudly be opening for Frank Zappa alumni band Project/Object, featuring Don Preston and Ike Willis. 

The Cutting Room
44 East 32nd Street
New York, NY  10010

Solo Recital: "Études and Arabesques"

Sunday 23, October 2016 ( 2 00 pm )

~A Benefit for Boston Musica Viva~

A recital and conversation with Geoffrey Burleson and composer David Rakowski at the Boston area home of John Loder.  The program includes works of Camille Saint-Saëns (including the New England premiere of the composers' unpublished "Fantasy on Wagner's Lohengrin"), David Rakowski and Geoffrey Burleson.  Seating is limited.  Suggested donation $50 per person.  Call (617) 354-6910 for details.

Concerto Appearance with the New England Philharmonic

Saturday 29, October 2016 ( 8 00 pm )

The New England Philharmonic
Richard Pittman, Music Director

Tsai Performance Center
685 Commonwealth Avenue
Boston, MA  02215

Yehudi Wyner:  Piano Concerto "Chiavi in mano"

more concerts

Press Reviews

"Mr. Burleson played with command, projecting a rhapsodic quality without loss of rhythmic vigor...and an appropriate sense of fetching color. Burleson played vibrantly...ending his program with a compelling account of Boulez's formidably complex Piano Sonata No. 3."
- Anthony Tommasini, The New York Times

"Burleson gave an irresistably supple reading of Liszt's "Les jeux d'eaux a la Villa d'Este", and in his performance of Debussy's "Pour le piano", the Sarabande was delightfully hazy, and the Toccata was an explosion of energy. He followed this with Saint-Saens's expansive "Caprice on Ballet Airs From Gluck's 'Alceste'" before closing the concert with three of his own virtuosic, lively, occasionally jazzy improvisations on a handful of Debussy themes."
-Allan Kozinn, The New York Times

"Both works (Charles Ives's 'Three-Page Sonata' and Vincent Persichetti's Sonata No. 12) are couched in complex rhythms, with attractively simple melodies sometimes swimming through them. And Mr. Burleson played them with the energy and passion of a jazz player at the densest moment of a solo. He brought a similar power, as well as an improvisatory imagination, to Frank Zappa's 'Bebop Tango.'"
- Allan Kozinn, The New York Times

"Burleson is a remarkable pianist, with tireless attack, unflagging rhythm and energy to burn."
- Richard Dyer, The Boston Globe

"A top-notch pianist...Burleson's piquancy and poetry blended beautifully."
- The Washington Post

more reviews

Featured Releases

Saint-Saëns, C.: Piano Works (Complete), Vol. 4: Dances And Souvenirs

Saint-Saëns, C.: Piano Works (Complete), Vol. 4:  Dances And Souvenirs - Naxos, Catalogue No: GP625, released on 02/2016

Naxos, Catalogue No: GP625, released on 02/2016

Order online "Saint-Saëns, C.: Piano Works (Complete), Vol. 4: Dances And Souvenirs"


Geoffrey Burleson, piano

About Saint-Saëns, C.: Piano Works (Complete), Vol. 4: Dances And Souvenirs

Although he is best remembered for his orchestral and instrumental music, Saint-Saëns was also responsible for spearheading the revival of the French Baroque, especially the music of Lully and Rameau, as well as being perfectly placed to absorb the latest instrumental dance music. His five ‘character waltzes’ include the ethereal and ravishingly textured Valse mignonne, the stylistically forward-looking Valse nonchalante and the virtuosic Valse gaie, the composer’s final waltz for solo piano, while the three minor key Mazurkas are strongly characterised and filled with ingenious musical contrasts. Last but not least, the three ‘souvenirs’ are delightful evocations of particular corners of the world that inspired Saint-Saëns.

"Burleson has immersed himself in the entirety of Saint-Saëns' output and is a powerful advocate for this music.  He plays with all the requisite technique and a style and flair that one would expect from music firmly entrenched in the romantic style.  His booklet notes are enlightening, and the piano sound is wonderful.  I am sure that I will also enjoy the future volumes in this series."

-James Harrington, American Record Guide


selected recordings