Upcoming Concerts

Boston Musica Viva: Residency at Boston Conservatory

Friday 25, April 2014 ( 8 00 pm )

Boston Musica Viva

Emerging Composers Concert
Boston Conservatory
Studio 401, Hemenway Building
31 Hemenway Street

Joshua Hahn:  Emphatic Whisper
Jason Matthew Malli:  The Gathering of Sects
Roger Zare:  Fractal Miniatures
Matthew Jaskot:  Caricatures (of my craigslist roomates)
Scott Jeremy Ordway:  Let there be not darkness, but light

Piano Master Class at Staten Island Conservatory

Saturday 26, April 2014 ( 4 30 pm )

Staten Island Conservatory of Music
Snug Harbor Cultural Center
Staten Island, NY

"Light, Wind and Sound", with Boston Musica Viva

Saturday 10, May 2014 ( 8 00 pm )

Boston Musica Viva
Pickman Hall
Longy School of Music
Cambridge, MA 

William Kraft:  new work for sextet (world premiere)
Theo Loevendie:  6 Turkish Folk Poems (with Sarah Pelletier, soprano)
Sean Shepherd:  Lumens, for sextet
Brian Robison:  A Field Guide to North American Car Alarms
Julie Rohwein:  Borne on the Wind 


more concerts

Press Reviews

“Mr. Burleson played with command, projecting a rhapsodic quality without loss of rhythmic vigor...and an appropriate sense of fetching color. Burleson played vibrantly...ending his program with a compelling account of Boulez’s formidably complex Piano Sonata No. 3.”
- Anthony Tommasini, The New York Times

"Burleson gave an irresistably supple reading of Liszt's "Jeux d'eaux à la villa d'este", and in his performance of Debussy's "Pour le piano", the Sarabande was delightfully hazy, and the Toccata was an explosion of energy.  He followed this with Saint-Saëns's expansive "Caprice on Ballet Airs From Gluck's 'Alceste''" before closing the concert with three of his own virtuosic, lively, occasionally jazzy improvisations on a handful of Debussy themes."
-Allan Kozinn, The New York Times

“Both works (Charles Ives's 'Three-Page Sonata' and Vincent Persichetti's Sonata No. 12) are couched in complex rhythms, with attractively simple melodies sometimes swimming through them. And Mr. Burleson played them with the energy and passion of a jazz player at the densest moment of a solo. He brought a similar power, as well as an improvisatory imagination, to Frank Zappa's 'Bebop Tango.'”
- Allan Kozinn, The New York Times

“Burleson is a remarkable pianist, with tireless attack, unflagging rhythm and energy to burn.”
- Richard Dyer, The Boston Globe

“A top-notch pianist...Burleson's piquancy and poetry blended beautifully.”
- The Washington Post

more reviews

Featured Releases

Saint-Saëns, C.: Piano Works (Complete), Vol. 3: Character Pieces

Saint-Saëns, C.: Piano Works (Complete), Vol. 3:  Character Pieces - Naxos, Catalogue No: GP609, released on 11/2012

Naxos, Catalogue No: GP609, released on 11/2012

Order online "Saint-Saëns, C.: Piano Works (Complete), Vol. 3: Character Pieces"


Geoffrey Burleson, piano

About Saint-Saëns, C.: Piano Works (Complete), Vol. 3: Character Pieces

Saint-Saëns’s first published works for piano were the vivid and characterful Six Bagatelles, Op 3. Album, Op 72 dates from his mid-career and teems with rich colours and textures—haunting and exciting alike. Elsewhere, in this third volume of the Complete Piano Music, we find the richly evocative tone poem Rhapsodie d’Auvergne, paraphrases, and some delicious encores.


"In the Op. 3 Bagatelles you hear the influence of Schumann, in writing as colourful as it is pianistically adroit.  The Op. 72 Album offers music of a fuller, more advanced idiom, with the shadow of Liszt in his later dark-hued manner hanging over 'Carillon' and with an elegant 'Valse' to follow.  The Rhapsodie d'Auvergne fizzes with energy after its folksong start and the ambitious 1867 Caprice has a notably witty finish.  Yet arguably the most personal voice is found in Les cloches du soir and in the concluding Feuillet d'album.  All of this music is played with verve and commitment by Burleson."
-Bryce Morrison, Gramophone

selected recordings