Saturday 26, September 2015 ( 8 00 pm )
Steven Stucky: New Work
Grave (Metamorphoses), for cello and piano
Brett Dean: Sextet
Decorrente, for quintet
Martin Brody, Peter Child, Shirish Korde & Joseph Schwanter:
Rilke Songs, with Sarah Pelletier, soprano
Thursday 08, October 2015 (12 00 pm )
as part of a Residency
The Department of Music at UC Davis
Vanderhoef Studio Theatre
Mondavi Center for the Performing Arts
Sunday 11, October 2015 ( 5 00 pm )
Nicholas Roerich Museum
319 West 107th Street
New York City
Works of Liszt, Saint-Saëns, Ravel, Scriabin, Antheil, and Persichetti
"Mr. Burleson played with command, projecting a rhapsodic quality without loss of rhythmic vigor...and an appropriate sense of fetching color. Burleson played vibrantly...ending his program with a compelling account of Boulez's formidably complex Piano Sonata No. 3."
- Anthony Tommasini, The New York Times
"Burleson gave an irresistably supple reading of Liszt's "Les jeux d'eaux a la Villa d'Este", and in his performance of Debussy's "Pour le piano", the Sarabande was delightfully hazy, and the Toccata was an explosion of energy. He followed this with Saint-Saens's expansive "Caprice on Ballet Airs From Gluck's 'Alceste'" before closing the concert with three of his own virtuosic, lively, occasionally jazzy improvisations on a handful of Debussy themes."
-Allan Kozinn, The New York Times
"Both works (Charles Ives's 'Three-Page Sonata' and Vincent Persichetti's Sonata No. 12) are couched in complex rhythms, with attractively simple melodies sometimes swimming through them. And Mr. Burleson played them with the energy and passion of a jazz player at the densest moment of a solo. He brought a similar power, as well as an improvisatory imagination, to Frank Zappa's 'Bebop Tango.'"
- Allan Kozinn, The New York Times
"Burleson is a remarkable pianist, with tireless attack, unflagging rhythm and energy to burn."
- Richard Dyer, The Boston Globe
"A top-notch pianist...Burleson's piquancy and poetry blended beautifully."
- The Washington Post
Naxos, Catalogue No: GP609, released on 11/2012
Geoffrey Burleson, piano
About Saint-Saëns, C.: Piano Works (Complete), Vol. 3: Character Pieces
Saint-Saëns’s first published works for piano were the vivid and characterful Six Bagatelles, Op 3. Album, Op 72 dates from his mid-career and teems with rich colours and textures—haunting and exciting alike. Elsewhere, in this third volume of the Complete Piano Music, we find the richly evocative tone poem Rhapsodie d’Auvergne, paraphrases, and some delicious encores.
"In the Op. 3 Bagatelles you hear the influence of Schumann, in writing as colourful as it is pianistically adroit. The Op. 72 Album offers music of a fuller, more advanced idiom, with the shadow of Liszt in his later dark-hued manner hanging over 'Carillon' and with an elegant 'Valse' to follow. The Rhapsodie d'Auvergne fizzes with energy after its folksong start and the ambitious 1867 Caprice has a notably witty finish. Yet arguably the most personal voice is found in Les cloches du soir and in the concluding Feuillet d'album. All of this music is played with verve and commitment by Burleson."
-Bryce Morrison, Gramophone